Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series The Basis of Make-Up . He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series Photography and beyond. He has held a professorship in Experimental Filmmaking at the Universität der Künste Berlin from 1993 to 2013, and co-founded the Institute for Time-based Media and the program Art and Media, there. Since 2012 member of the Academy of Arts in Berlin. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: Krieg der Augen, Kreuz der Sinne (War of Eyes, Cross of Senses), Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst (Since Freud Said That the Artist Heals His Neuroses Himself, Artists Have Been Healing Their Neuroses Themselves), Normalsatz – Siebzehn Filme (Ordinary Sentence – Seventeen Films) and Das schwarze Schamquadrat (The Black Sqare of Shame) (all four books at Verlag Martin Schmitz); Die Basis des Make-Up (I) and (II), Der Begnadete Meier (Grace Jones), Kleine Enzyklopädie der Photographie (Little Encyclopaedia of Photography) and Die Basis des Make-Up (III) (in Die Republik No. 68-71, 76-78, 89-91, 94-97 and 123-125); Sense of Architecture with more than 600 photographs. 하인츠 에미히홀츠(1948년생, Achim, Germany) 는 감독으로, 대표작으로 Bickels [Socialism], Wandsbek Gartenstück, 두 개의 미술관이 있으며, 그 외에도 스트리트스케이프(대화), 근대의 도살장, 더 수트, 마이야르의 다리들, Loos Ornamental, Hotel, Antivilla, Der Zynische Körper, Dieste [Uruguay], Normalsatz, Salamone, Pampa, 마지막 도시 등 다양한 작품을 연출했다. (오뜨랑에서 실시간으로 번역된 한글 프로필도 확인할 수 있어요) 2025년 에케 몰레 연출을 맡았다. 2024년 더 수트 연출을 맡았다. 2023년 Der Maler Philip Guston – Ein amerikanisches Leben 연출을 맡았다.